PARIS, January 23, 2012
By Nicole Phelps
Donatella Versace has been making headlines for months with her collection
for the fast-fashion retailer H&M. Today she put the focus on the other end
of her fashion spectrum: the made-to-measure Atelier
Versace range, a line
not seen on the Paris Couture schedule since 2004. Cameron Diaz, Diane
Kruger, Abbie Cornish, and Ludivine Sagnier turned out for the occasion,
taking their rightful place in front of a velvet rope that separated them
from the standing crowd gathered to witness the presentation. Rightful
because one of haute couture's twenty-first-century raison d'êtres is the celebrity
photo op, and also because the dresses that Donatella put on display are
designed strictly for the pop and flash of the red carpet. (The only off
note: a rather glitzy, cheaply constructed set that didn't live up to the glamour of the moment
she was channeling.)
Angelina Jolie wowed at the Golden Globes last week in a white Atelier
Versace gown with a corseted waist that was made to look even tinier by the
frock's arabesque of a red neckline. The dresses today followed the same
general principle: second-skin tight and cut to accentuate the hourglass
curves of a woman's body, only encrusted top to bottom in beads and plastic
paillettes in place of Angie's shimmering satin. Here, in fact, the shapes
were even more exaggerated thanks to curving gold metal insets that built up
the shoulders or added inches to the hips.
The expertly realized results evoked Thierry Mugler's eighties glory days on
the one hand and the movie
Metropolis on the other. Backstage, Versace
said, "I call them my warrior women." Fierce is putting things mildly. You
can picture Diaz, with her muscled frame and newly cropped platinum bob,
knocking them dead in a sparkly caution orange number, its strapless bodice
outlined with a swoop of gold metal and the sequined hem giving way to
delicate lace.
Amid the strict, cantilevering gowns, a one-shouldered cocktail dress had
a sporty appeal. Versace also included a handful of super-short dresses
topped by matching zip-front jackets, and a strapless maillot that looked
retro save for its modernizing metal accents. Non-glamazons need not apply.